Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

一名年老的牧羊人与妻子居于伊塞克湖附近的峡谷，他们的儿子在很久以前意外身亡，但儿媳妇沙伊尔仍与他们同居，在山中快乐地生活。但是，传统文化受到现代化趋势的威胁：他们放牧马匹的草甸上也突然出现机器，与此同时，迁居到当地附近的气象学家埃尔梅克爱上了沙伊尔，两人的感情迫使她在个人幸福和维护传统生活之间二择其一。

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

训练猎鹰、放牧牦牛、骑着骆驼行走于苍茫天地间，对于生活在都市的人来说，在蒙古西部的游牧生活奇妙得就像一场探险。作者有机会体验了一番当地哈萨克族游牧人的日常生活与独特文化。From Brandon Li

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

本剧描写了朝鲜王朝时代后期侍奉正祖的政治家、实学家、设计师丁若镛的一生。

电影讲述的是哈萨克斯坦可汗阿不赉成长的历程。影片采用旁述的形式，以恢宏的战争场面对我们娓娓道来：在无边无际的辽阔之地，从阿尔泰山到里海，远古就住着游牧的哈萨克民族，在这片土地上，一波又一波敌人倒下，在他们的身后留下灰烬和骨头，对他们来说这是最大的灾难。影片在努力定义哈萨克斯坦的民族意识形态，聚焦于可汗如何让18世纪的哈萨克斯坦各部落团结起来一致对抗外来侵略。

电影讲述的是哈萨克斯坦可汗阿不赉成长的历程。影片采用旁述的形式，以恢宏的战争场面对我们娓娓道来：在无边无际的辽阔之地，从阿尔泰山到里海，远古就住着游牧的哈萨克民族，在这片土地上，一波又一波敌人倒下，在他们的身后留下灰烬和骨头，对他们来说这是最大的灾难。影片在努力定义哈萨克斯坦的民族意识形态，聚焦于可汗如何让18世纪的哈萨克斯坦各部落团结起来一致对抗外来侵略。

A French anthropologist moves to Los Angeles and is followed by the evil spirits of an extinct tribe he once uncovered.

卡莫迪一家在澳洲内陆过着游牧生活。西恩（罗伯特·米彻姆 Robert Mitchum 饰）作为家中男丁负责照顾牲畜，而他和母亲渴望能够找到一个农场来定居下来。可是，父亲派迪（彼得·乌斯蒂诺夫 Peter Ustinov 饰）却希望继续保持他们以往的游牧生活方式。 　　随着时间的推移，卡莫迪一家发生了许多事情。他们迎来了一个新生儿的诞生，但也面对着父亲派迪酗酒和赌博的恶习所带来的痛苦。此外，草原上的剪羊毛活动和赛马大赛也成为了他们生活中的重要事件。所有的这些经历使得卡莫迪一家面临一个重要的抉择，即他们应该选择安定的生活，或是继续过着游牧的生活，这个决定将对他们的未来和家庭关系产生深远的影响。